摘要
"异端"李贽对八股文并非一味鄙弃,这与其"童心说"中的文学观不无关系.传统文学观范式渐趋失效,人格和文章由传统的追求"道"变为追捧"程朱";李贽试以"童心范式"作为改良,并在新范式下重新审视八股文,找到其闪光点及由此转变八股文风的可能性,进而借此扭转思想文化的颓势.
“Heterodox”Li Zhi did not despise the Eight-part Essay all the time, which has something to do with his literary outlook in his“theory of childlike innocence”. The paradigm of traditional literary outlook is becoming ineffective, and personality and articles have changed from traditional pursuit of“Tao”to pursuit of “Cheng Zhu”;Li Zhi tries to improve the paradigm of“childlike innocence”and re-examine the eight-part essay under the new paradigm to find its shining point and the possibility of changing the style of eight-part essay, thereby reversing the decadent trend of ideology and culture.
作者
陈鑫
Chen Xin(Shanghai Academy of Social Sciences, Shanghai 200020,China)
出处
《六盘水师范学院学报》
2019年第4期27-32,共6页
Journal of Liupanshui Normal University
关键词
中国文学
范式
童心说
八股文
Chinese literature
paradigm
Childishness
eight-legged essays