自由与限度——重读《酒后》，兼议凌叔华小说的情爱伦理

Freedom and Limits: Rereading After Drinking and Discussing the Love Ethics in Ling Shuhua’s Novels

"新闺秀派"作家凌叔华的代表作《酒后》描绘了"五四"女性传统又现代的行为思想特征,是"五四"文坛上一个独特又典型的文本。采苕和永璋这对"理想夫妻"之间蕴含着并不"理想"的情爱关系,妻子采苕敢于直白表达对朋友子仪的倾慕之情,但终又意识到这种情爱自由实现的难度和限度。采苕的"一吻之求"暴露了"五四"时期女性情感和婚姻的诸多问题,也体现出凌叔华在女性情爱伦理方面的个人化思考。

After Drinking, the representative work of Ling Shuhua, a writer of "the new boudoir" school,depicts the traditional and modern behavioral and ideological characteristics of women durning the May 4th Movement, which is a unique and typical text in the literary world of the May 4th Movement. There exists ideal love relationship between Cai Tiao and Yongzhang, an ideal couple. The wife Cai Tiao dares to express her admiration for her friend Ziyi frankly, but finally realizes the difficulty and limitation of realizing the freedom of love. Cai Tiao’s demand of "one kiss" reveals many problems in women’s emotion and marriage during the May 4th Movement, and also reflects Ling Shuhua’s personal thinking on women’s love ethics in her novels.