摘要
从文体论的角度分析,《四库全书总目》"雅体论"可归纳出风雅、奥雅、高雅、清雅与雅丽等不同体貌样态,其中典雅意味着对典重、醇正价值的强调,奥雅侧重于通过学问或感思实现对浅俗的超越,高雅与清雅则分别蕴含了"以高逸俗"与"以清涤浊"的文化逻辑,而雅丽作为兼涉"文""雅"两个范畴的复合性体貌则意味对既鄙且俗的蔬笋气之祛除。
This paper aims to research the idea on elegance form in the literary criticism of Siku Quanshu Zongmu,which includes different forms,such as"dian-ya","ao-ya","gao-ya","qing-ya"and"yali"."Dian-ya"means classical and normal,while"ao-ya"emphasizes a transcendence of vulgarity via knowledge and inspired thought,"gao-ya"and "qing-ya"describing the elegance form through image of height and washing,and"ya-li"is a complex form involving both ornament and elegance.
作者
蔡智力
CAI Zhi-li(School of History and Culture of Hubei University,Wuhan 430062, China)
出处
《图书馆研究》
2019年第4期107-112,共6页
Library Research
关键词
《四库全书总目》
古典文论
体貌
雅俗
蔬笋气
Siku Quanshu Zongmu
classical literary theory
literary form
elegance and vulgarity
"shu-sun qi"