唯美的浪漫:田汉早期戏剧的艺术诉求

Aesthetic Romance: The Artistic Pursuit of Tian Han’s Early Dramatic Works

田汉作为中国现代戏剧的重要奠基人,早期戏剧作品大都充溢着强烈的新浪漫主义唯美色彩。新浪漫主义特别强调对现实的观照和融合,在人物形象塑造上借鉴王尔德唯美主义思想,张扬艺术气质,趋于理想化;情节结构上多运用表现主义艺术手法,呈现出情感化特征;戏剧情境的营造上注重象征性,突显诗意化。田汉始终以一种开放、自由的文化心态与世界眼光,兼收并蓄,善于吸收外来文学艺术思潮的养分,将现实主义与浪漫主义交相融合,拓展了唯美的新浪漫主义艺术境界。

Tian Han is an important founder of modern Chinese drama and his early dramatic works are mostly tinted with a distinctive aesthetics of neo-Romanticism. Neo-Romanticism emphasizes the observation and integration of reality and draws on Wilde’s aestheticism in characterization, which promotes artistic temperament and tends to be idealized;and the art techniques of expression are employed to present emotional characteristics in plot structures;while symbolism is prioritized and poetic features are highlighted in the construction of drama situations. With an open and free cultural attitude as well as a global vision, Tian Han has always been adept at absorbing the nutrients of foreign literary and artistic trends, blending realism and romanticism, and expanding the aesthetic realm of new romanticism.