“互文”与“非虚构”写作——沈从文笔下丁玲形象考

“Intertextuality” and “Non-fictional” Writing ——A Study of the Image of Ding Ling in Shen Congwen’s Works

沈从文笔下的“丁玲”是一个文学与现实交错相生的形象,仅以一部《记丁玲》作史料性考据两者的关系可能会带来“失真”后遗症。引入“大文学观”“互文”和“非虚构”写作等视野进一步分析沈从文笔下的“丁玲”,有助于把握“丁玲”形象的复杂性、沈从文的审美情趣和艺术风格、“他者”眼中的“关系说”等问题,亦能在丁玲与沈从文的“互骂”以外得以窥见两者的微妙关系,这对充分理解沈从文、丁玲都有重要意义。

"Ding Ling" in Shen Congwen’s works is an image interlacing literature and reality, thus a textual study of the relationship between the two parts by referring to A Story of Ding Ling as historical materials may bring about some "distortion". A further analysis of Ding Ling in Shen Congwen’s works from the perspectives of the "grand literary view", "intertextuality" and "non-fictional" writing will help to grasp the complexity of the image of "Ding Ling", Shen Congwen’s aesthetic taste and artistic style, as well as the view on "relationship" in the eyes of "the other". Moreover, from the mutual abuse between Ding Ling and Shen Congwen can also be discerned the subtle relationship between them, which is of great significance to fully understand Shen Congwen and Ding Ling.