永远的临时性——埃里克·欧文·莫斯的建筑试验

Perpetual Provisionality: Eric Owen Moss’s Architectural Experiment

基于埃里克·欧文·莫斯在卡尔弗城的工作室及在加州地区建成项目的实地探访,结合对影文资料及其创作思想的分析,本文梳理出莫斯自1973年执业以来作品中隐含的一条建筑试验脉络,总结并分析了莫斯在5个时期所进行的几何形体组合、复杂几何形体的交叠、建筑空间叙事、胶体空间,以及材料、形体与空间生成方法、景观元素一系列范本的试验,由此揭示出莫斯作品纷繁表象背后"永远的临时性"建筑哲学——即建筑创作不存在长久的规则与范本,唯一永久的是从一个临时性范本试验到下一个。

According to the onsite visit of Eric Owen Moss's office and all his works in Culver City, California, America, and the analysis about audiovisual materials, Moss's creation ideas, this paper sorts out an implicit experimental sequence of his architectural works ever since he started his office in 1973. The authors summarise Moss's architectural philosophy "perpetual provisionality" based on his experimental work in five periods, which are the combination of geometric entities, the overlap of complicated geometric entities, the "Glue" and materials, the approaches of generating spaces and shapes, the landscape elements."Perpetual provisionality" to Moss, actually means no long-term guidelines or models exist, the only thing that lasts long is moving from one experimental stage of provisionally model to another.