性别表演视角下的舞台剧照解析

An Analysis of Stage Photos from the Perspective of Gender Performance

戏剧舞台如何表现性别?运用例证解析舞台剧照,可成为探讨戏剧与妇女解放结成伙伴关系的一种途径,亦可成为性别指向社会政治建构之明证。易卜生《玩偶之家》演出时,女主人公娜拉的肢体语言超越语种、文化,为现代新女性之建构起到性别示范作用;“新中国版娜拉”在舞台剧照中呈现的昂扬姿态超越了自然躯体,指向一个全新政治建构,具备新典范意义。朱迪斯?巴特勒认为扮装能把人从一个性别角色中解放出来,当代先锋剧场中,扮装成为表演性别的一种方法。台湾“莎士比亚的妹妹们的剧团”创团艺术总监魏瑛娟重视剧场表演的影像感,“莎妹剧团”舞台剧照透露出开放的女性在易装表演中获得的乐趣,藉此营造女性群体反抗传统的不羁图景。

How is gender performed on stage?The analysis of stage photos with illustrations can be a way to explore the partnership between theatre and the liberation of women.It can also be a testimony of political construction with gender orientation.In Ibsen’s A Doll's House,the heroine's body language transcends language and culture,and provides a paradigm for the construction of modernnew women.’Hie elevated posture of the“new Chinese version of Nora”in stage photos has transcended the natural body and directs to a new political construction,with a new paradigm meaning.Judith Butler believes that drag can liberate people from a gender role,and in contemporary avant-garde theatres,cross-dressing becomes u way to perform gender.Wei Yingjuan.the founding artistic director of the“Shakespeare’s Wild Sisters Group”of Taipei,pays attention to the sense of image in theatrical performance.The stage photos of that group reveal the joy of open-minded women who enjoy cross-dressing performance and present a picture of a community of women rebelling against tradition.