探析静、净、境之哲理与景德镇现代瓷绘审美取向

Exploring the Philosophy of Peace(Calm), Pure and Conception and the Aesthetic Dimension of Modern Porcelain Painting in Jingdezhen

陶瓷绘画是集材料工艺、装饰绘画、文化传承的一种视觉艺术表现形式。实质上,它不仅受本身固有的技艺特性、地域特色、审美特征、时代特质等多方面因素影响着其形式风格的呈现,还由中国传统文化思想支撑着其民族图式的繁衍。而近十多年来,景德镇陶瓷绘画样式虽丰富多彩,但其整体风格始向"恬淡、豁达、幽远"之审美取向,显然潜移默化地受传统文人画境之禅意影响。围绕禅意之哲理"静、净、境"的审美渐进向度,来剖析景德镇现代瓷绘所表现得"美、意、韵"之原由,也是直观写照现代景德镇瓷绘的艺术格调表现与始源,述论中国传统"静、净、境"之哲理对其启示。

Ceramic painting is a visual art expression that combines material crafts, decorative painting and cultural heritage. In essence, it is not only influenced by its inherent technical characteristics, regional characteristics, aesthetic characteristics and characteristics of the times, but also by its traditional style.It also supports the reproduction of its national patterns with traditional cultural. In the past ten years,Jingdezhen ceramic painting style is rich and colorful, but its overall style has gradually tended to the aesthetic of "plain, simple and ethereal", which is obviously influenced by aesthetics of Zen. Therefore,this thesis attempts to analyze the reason of Jingdezhen’s modern porcelain paintings’"interpretation" and "beauty" from the perspective of " the quietness of peace, painting technique of pure, and portrayal of conception". The intuitive portrayal of the Chinese traditional "peace, pure, and conception" from a philosophical perspective.