信息密集式特稿在我国的继承与创新

The Inheritance and Innovation of Information Intensive Feature in China

近年来,伴随着非虚构写作概念的兴起,特稿创作的类型也日臻丰富,以张伟的《另一个北京》为代表的"信息密集式特稿"常见于媒体。新闻业内普遍认为,这种风格的发源人为"新新闻主义之父"盖伊·特立斯,其特征就是反故事、反结构,不讲求通常可见的叙事脉络,而是以大量数据和细节的拼贴来勾勒新闻原貌。从盖伊·特立斯其人入手,主要以张伟、困困、王天挺的作品为例,探讨国内特稿作者对其创作手段的继承与创新,并尝试解读信息密集式特稿在我国的本土化演变。

In recent years, with the rise of the concept of nonfiction writing, types of feature writing are becoming more and more abundant. The ‘information intensive feature’ represented by Zhang Wei’s The Other Beijing is often seen in the media. The originator of this style is widely regarded in the news industry as Gay Talese,‘Father of the New Journalism’, which is characterized by anti-story, anti-structure, and a lack of usually visible narrative context, but a collage of data and details to outline the news story. Starting with Gay Talese, the paper mainly takes the works of Zhang Wei, Kunkun and Wang Tianting as examples. This paper discusses the inheritance and innovation of domestic feature writers on their creative means and tries to interpret the localization evolution of information-intensive feature in China as well.