大理白族洞经古乐的“民间性”传承模式研究

Study on the "People" Heritage Model of the Da Li Dong Jing Ancient Music

大理洞经古乐又称“南诏古乐”,自唐宋南诏、大理国时期传入、形成与发展,已跨越千年历史。白族人民赋予洞经古乐崇高的价值信仰以及朴素的生命哲学,留下大量保存完整、内容丰富、形式多样的音乐素材。村民在日常的节日庆典、婚丧嫁娶、房诞落成等仪式中,都会邀请到古乐团的现场“做会”,或为尊神的祈福,或为亡灵的超度,或为福运的感恩,其对于洞经古乐类似于宗教般的神圣信仰,让洞经古乐在民间形成了自发的追随者和传授者。“民间性”的存在与传承,是洞经古乐艺术的灵感和来源,也是其在外来文化裹挟中依然保留了自身纯碎性而能够生存和发展的深厚土壤。

The ancient music of Dali Cave is also known as the "Nanxie Ancient Music". It has been introduced, formed and developed since the Tang and Song Dynasties and the Dali Kingdom. It has now spanned a thousand years of history. The origin of Dali Caves through ancient music is largely due to the pure love and awe of the Bai people's more than 400,000 compatriots. During the daily festival celebrations, weddings and funerals, and the completion of the house, the villagers will invite the ancient orchestras to "do the meeting", which is similar to the religious sacred beliefs of the caves. Spontaneous followers and imparters have formed in the people. The existence and inheritance of "folkness" is the inspiration and source of the ancient art of the cave, and it is also a deep soil that can survive and develop in the foreign culture.