摘要
赫尔德发表于文集《论德意志风格与艺术》的两篇论文《莪相》与《莎士比亚》,通过评论以莪相为代表的北欧民歌和以莎士比亚为代表的英国戏剧,为18世纪下半叶德意志新文学的发展制定了纲领。赫尔德发现北欧民歌的古朴和英国戏剧的自然性与历史性,认为与法国和古希腊文学相比,北欧/英国文学的这些特性更能为德意志新文学指明新的发展方向,北欧/英国文学与民族的关系同德意志文学与民族的关系具有同一性。通过构建德意志新文学,德意志民族身份认同得以建立。
Herder published two essays,Ossian and Shakespeare in Of German Character and Art.By commenting on Nordic folk songs represented by Ossian and British dramas represented by Shakespeare,Herder drew up a programme for the construction and development of German new literature in the second half of the 18 th century,and discovered the primitiveness of Nordic folk songs and the naturality and historicity of British dramas.He believed that in comparison with French and ancient Greek literature,these characteristics of Nordic/British literature can give a new and better direction for German new literature.Nordic/British literature and nations have the same identity with German literature and nation.Through the construction of German new literature,the identity of German nation will also be established.
出处
《广东外语外贸大学学报》
2019年第4期49-58,158,共11页
Journal of Guangdong University of Foreign Studies
