杨粲墓石刻艺术的文化旨趣探析

Art and Society:An Analysis of the Culture of Stone Carving Art of Yang Can Tomb

艺术作为受经济基础决定并制约的思想上层建筑的一部分,不仅是人们用精神去掌握和反映世界的一种特殊审美形式,更是特定经济基础在艺术层面上的积极反映,艺术表象背后有着十分浓厚的意识形态性色彩。被誉为“西南古代石刻艺术宝库”的南宋播州地区出土的杨粲墓石刻群,其艺术造型精巧奇特、艺术技法娴熟精湛、表现形式多种多样,很好地展示了南宋播州地区的经济水平、政治结构、民族关系以及社会风尚等当时代文化场景。因此,艺术与社会间的有机融合,一方面展示了杨粲墓石刻艺术中蕴藏着的深厚文化底蕴,另一方面也彰显了杨粲墓石刻艺术研究的巨大文化价值。

As a part of the conceptual superstructure, art is not only a unique aesthetic way to grasp the world spiritually, but also a positive reflection of the specific economic basis in terms of art. There is a very strong ideological color behind the artistic representation. Known as the “Treasure House of Southwest Ancient Stone Carving Art”, the stone carving group of Yang Can Tomb in Zunyi, Guizhou is distinguished by exquisite and unique artistic modeling, skilled and exquisite artistic techniques, and diverse forms of expression, which well illustrates the economic development, political structure, the relationships among ethnic groups and social fashion of Bozhou area in the Southern Song dynasty. Therefore, the natural integration of Yang can's stone-carving art and society on the one hand shows the profound cultural contained in his stone-carving art, and on the other hand reveals the great cultural value of Yang can's stone-carving art research.