裘山山的西藏情结和创作焦虑

QIU Shanshan’s Tibetan Complex and Creative Anxiety

裘山山有关西藏情结的小说和散文构成了她作品的独特性,但是这种“西藏情结”反过来制约了她的创作。就表层结构来看,这类小说均采取双线交叉、回溯式的叙述方式,其背后却是追寻精神原乡的深层“结构”,要么通过对地域故乡的追寻,要么通过对童年的追忆。这些深层心理在遇到特定主题和语境的圭臬时就形成了深层次的创作焦虑,以对历史现场的介入、对时代的介入、对人生的介入来看,这种创作焦虑在当下具有普遍性。

QIU Shanshan’s novels and proses about Tibet complex constitute the uniqueness of her works,but this"Tibet complex"restricts her creation in turn.In terms of surface structure,these novels all adopt double-line and retrospective narrative mode,but what behind it is the deep"structure"of pursuing spiritual homeland,either through the pursuit of regional homeland,or through the recall of childhood.These deep-seated psychology formed deep-seated creative anxiety when they met the criteria of specific theme and context.From the perspective of the intervention of historical scene,era and life,this kind of creative anxiety has universality at present.