“史论”体范式与20世纪30年代左翼电影史家的史观和史学方法论

The Paradigm of "Shi Lun", the Historical View and Historical Methodology of the Left-wing Film Historians in 1930s

关于电影史观与史学方法的探讨,其表层是电影史著书写中史料与史论的关系与构成问题,本质上是在一个全球化的崭新文化视野下中国电影史学的学术主体性如何评估和如何安置的问题。在中国电影史学领域,对于这一命题自觉和认真反应的是20世纪30年代左翼电影史家。他们在当时视为新兴思潮的苏联社会科学理论的感应下,有意识地将外来意识形态引入中国电影史学领域,开始自觉地尝试运用"史论体"与"发展史"史学模式来撰写电影史著作,从而改变了中国传统史学的结构与体系。

As for the discussion of the concept and method of film history, its surface is the relationship and formation of historical materials and theories in the writings of film history. Essentially, it is a question of how to evaluate and arrange the academic subjectivity of Chinese film history in a new global cultural perspective. In the field of Chinese film history, the left-wing film historians consciously and seriously responded to this proposition in the 1930 s. Inspired by the social science theory of the Soviet Union, which was regarded as a new trend of thought at that time, they consciously introduced foreign ideology into the field of Chinese film history studies, and began to consciously attempt to use the style of "historical writing" and "developmental history" to write works on film history, thus changing the structure and system of the Chinese traditional historiography.