摘要
清代宫廷图绘,既是文化史研究的重要领域,又是非物质文化史亟待发掘的深厚宝库。长期以来,有关清代宫廷图绘的研究,一直是学界特别是艺术史领域方兴未艾的研究热点。其中有哪些重要的研究者,他们的成果具有怎样突出的特色,整体来看,清代宫廷图绘的研究又向我们勾勒出何种轮廓面貌?基于以上问题,该文择要选取一些典型学者研究成果,探讨评述在有清一代盛世和晚清以来的变局中,关于宫廷图绘的研究情况。
Palace drawing art in Qing Dynasty is not only an important field of cultural history research, but also a deep treasure house of intangible cultural history that needs to be excavated urgently. For a long time, the study of palace drawings in the Qing Dynasty has been a hotspot in academic circles, especially in the field of art history. What are the important researchers among them, and what are the outstanding characteristics of their achievements? On the whole, what outlines have been drawn from the study of court drawings in the Qing Dynasty? Based on the above problems, this paper will select some typical scholars and research to discuss and comment on the research of palace painting in the flourishing period of the Qing Dynasty and the changes since the late Qing Dynasty.
作者
李亮
LI Liang(Institute of Humanities and Social, Taiwan Tsinghua University, Hsinchu, Taiwan 30013,China)
出处
《通化师范学院学报》
2019年第9期30-38,共9页
Journal of Tonghua Normal University
关键词
清代
宫廷
图绘
盛世
慈禧
Qing Dynasty
palace
drawing art
flourishing period
Dowager Cixi