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西善桥“竹林七贤与荣启期”画像砖的艺术特色和美学内涵探讨

Discussion on Artistic Characteristics and Aesthetic Connotation of Portrait Brick of Xishan Bridge “Seven Sages of Bamboo Grove and Rong Qiqi”
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摘要 砖画的人物刻画各具特色,极为生动传神,突出了每位“贤士”的性格、气质、神情和动态,为了解“魏晋风度”背后士人矛盾的生死观,提供了具象的素材,反映了当时在动荡的时局与激烈的官场斗争的社会背景下,士人渴望隐居山林,亲近自然,纵情山水的避世思想。基于此,以“竹林七贤与荣启期”画像砖为研究对象,通过对“七贤”壁画有针对性的全面梳理,分析其艺术特色和美学内涵,并探讨了魏晋南北朝时期拼镶砖画的表现手法和样式特征。 Character portrayal of brick draw each has its own characteristics, is very vivid, highlighting each“wise men”character, temperament and dynamic, provides the concrete material to understand the contradictory of scholars’view of life and death behind the“Wei-Jin Demeanor”, reflecting the scholars’seclusion thought of aspire to mountain seclusion, close to nature under the social background of the turbulent times and fierce bureaucratic struggle. Based on this, taking the portrait brick of“the seven sages of bamboo grove and Rong Qiqi" as the research object, this paper analyzes the artistic characteristics and aesthetic connotation of the“seven sages” murals through a targeted and comprehensive combing, and discusses the expression techniques and style characteristics of the tessellation brick paintings in the period of Wei-Jin and Southern and northern Dynasties.
作者 陈云云 CHEN Yun-yun(College of Fine Arts, Anqing Normal University, Anqing, Anhui 246011, China)
出处 《通化师范学院学报》 2019年第9期134-139,共6页 Journal of Tonghua Normal University
关键词 竹林七贤与荣启期 画像砖 魏晋南北朝 玄学 the seven sages of bamboo grove and Rong Qiqi portrayal brick Wei-Jin and Southern and northern Dynasties Metaphysics
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