试析《补天》中的现代主义与后现代主义因素

An Analysis of Modernism and Postmodernism Factors in Butian

现代主义与后现代主义是发端于西方、弥漫于世界的文化思潮。作为西方文艺思潮的早期译介者,鲁迅在创作中成功地汲取了现代主义艺术的精粹,同样也具备了一种与后现代主义带有相通性的文化实感和体验。本文从“后现代主义与现代主义间的历史接续性”的观点出发,尝试对鲁迅小说《补天》中的“荒诞性”“消解”因素做出阐释,进而印证现代主义、后现代主义与鲁迅思想及其作品对接的可行性,以及提供一种以此关联拓展中国现代文学研究的路径。

Modernism and postmodernism are cultural trends that originate in the West and permeate the world. As an early translator of Western literary thoughts, Lu Xun successfully captured the essence of modernist art in his creation, and possessed a cultural reality and experience which is related to postmodernism. From the point of view of "the historical continuity of postmodernism and modernism", this paper attempts to explain the "absurdity" and "dissolution" factors in Lu Xun's novel Butian, to confirm the connection of modernism, postmodernism and Lu Xun's works, and provide a way to expand the study of Chinese modern literature.