摘要
1940年代解放区新诗不无缺憾,但却实现了一次新诗美学的变革。它在构筑当时民族心灵的历史过程中,体现出一种蓬勃奔突的东方"日神"精神;催化了民歌体长篇叙事诗的崛起,以简净的构图方式、传奇性结构框架与清朗刚健的民族化特征,在一定程度上缩短了与世界叙事诗艺术发展的时空距离;艺术上借用民间诗与古典诗形式,创造民歌体形式,释放出一种清新刚健、朴素遒劲的全新诗美,彰显着现实主义美学原则的全面胜利。
Despite their deficiencies, poems in Liberation Areas have undergone the aesthetic changes of new poems in the 1940 s. In the historical process of constructing the national mentality, it has exhibited the oriental Phoebus spirit and accelerated the rising of folklore narrative poems with simple mode of composition, legendary structural framework and strong national features. It has shortened the temporal and spatial distance from the artistic development of world narrative poems to some extent. In art, it has borrowed the forms of folklore and classical poems to create the new form of folklore and release completely new poems, which indicates the overall victory of modern aesthetic principles.
作者
罗振亚
LUO Zhen-ya(School of Chinese Language and Literature, Nankai University, Tianjin 300071, China)
出处
《山西师大学报（社会科学版）》
2019年第5期64-68,共5页
Journal of Shanxi Normal University(Social Science Edition)
基金
国家社会科学基金项目(15BZW136)
