通变与时中：《文心雕龙》“情采”篇的文质观

Variation and Optimization: Discussion of On Content and Expression in The Literary Mind and The Craving of Dragon

文质关系是中国古代文论的一个核心问题,这种“文质”的观点初指理想中高尚的人格操守,后多运用于文章写作,蕴含着极大的艺术包容性与审美运思空间。《文心雕龙》被誉为“龙学”,情采篇是其重要的篇章之一,其形成的文质观念在历史的更迭中不断地衍生出新的生机与活力,成为矫正浮糜文风的重要理论依据。

One of the fundamental problems concerning ancient Chinese literary scholars lies in the conflict between content and expression. Initially, it was ideally noble people’s ambition to achieve a harmony between them. Later on, it was usually used in literary criticism, and embodied great artistic and aesthetic significance. The Literary Mind and the Craving of Dragon is well-known as Studies of Dragon. Many years have elapsed, however, On Content and Expression, as one of the most important chapters in the book, has remains a powerful weapon to fight against artificial writing, manifesting its everlasting vitality.