1963年古巴吉隆滩国际设计竞赛研究——兼论1960年代初我国的建筑创作与国际交流

A Case Study of the Competition for Commemorative Monument to the Victory of Playa Girón in 1963 With Reflections on Chinese Architectural Production and International Exchange in the Early 1960s

根据新发现的史料,以清华大学土木建筑系参与1963年的吉隆滩胜利纪念国际设计竞赛的过程为对象,梳理其在该设计任务中采取的工作方法、创作方式、设计手法,从而加深对1960年代我国建筑设计思想及创作与管理体制的认识。同时,将这些事件纳入冷战格局下进行探讨,论述冷战时期意识形态对抗已深入建筑和城市规划领域的背景下,我国1950-1960年代通过国际建协这一途径开展国际交流的基本特征。

Based on newly found materials, this paper studies design ideas, methods, maneuvers and processes of Tsinghua's architecture school in the International Competition for Monument to the Victory of Playa Giron in 1963, to better understand architectural production and management in China in the early 1960s. In the meantime, it situates the study in a larger Cold War con text to reveal irrevocable imprint of political and ideological antagonism on architecture and city planning, and to investigate the connection between China and UIA in the 1950s and 1960s to rethink the characteristics of international exchange with the outside world at the peak of Cold War.