孔颖达《五经正义》的“情”论与“声”论

Theories on Emotion and Sound in Kong Yingda’s Rectified Interpretation of the Five Classics

《五经正义》以经典注疏的方式构建了系统而周密的思想体系,有效回应了为李唐提供为政指南及提升儒学思想影响的双重挑战。孔疏以王道、王制与王政的政治设计为核心,使五经文体成为相互支撑的结构整体。"情"论、"象"论与"声"论是孔疏在诗学思想上的创获,更是其构建政治思想的核心概念。孔疏形上之思的微妙、形下关切的周密以及其在中古思想史中的位置均可由之得到相应的考察。

The Rectified Interpretation of the Five Classics is a systematic and detailed text achieved in the form of canonical annotation. It was an effective response that met the dual challenges of providing guidelines of governance for the Tang Empire as well as increasing the influence of Confucian ideas. Kong Yingda’s annotations are centered on political designs oriented toward the matters of principles, system and governance of ruling a state, and thereby makes the literary style of the Five Classics a mutually enhanced whole. Kong’s theories on the terms emotion and sound are his achievements in poetics and also serve as the core concepts for his political thought. In this context, we can examine Rectified Interpretation of the Five Classics on its metaphysical subtleties, its concerns for the physical world, and its status in the middle-ancient Chinese intellectual tradition.