“渔乐图”康熙瓷器图像设计研究

The Image Design of “Fun Fishing Scenes” on Kangxi Porcelain

“渔”作为中国传统农耕社会四个农业“渔樵耕读”中的一种,历史由来已久。以“渔”为主要表现形式的“渔乐图”题材自古常被绘于纸上以满足文人的审美,寄托他们归隐豁达、感悟人生的悠然情怀。清代康熙时期,集中出现了大批工艺精美、技艺精湛的“渔乐图”题材瓷器,图像呈现为更偏向世俗生活的捕鱼之乐和沽酒之欢的人情味道。本文意图通过绘画和版画中的"渔乐图”,来对比分析清康熙时期瓷器上“渔乐图”的图像设计的分类、对版画“渔乐图”的直观借鉴和有效改良,探讨图像设计与器型的变化关系,着力再现康熙瓷“渔乐图”的图像设计成就。

The fisherman is long considered one of the four main professions-fisherman, woodcutter, farmer and scholarin traditional agricultural society of China. The theme of "Fun Fishing Scenes", mainly expressed in the form of "fishing", has been painted on paper since ancient times to satisfy the aesthetic needs of literati, expressing their open-mindedness and carefree feelings of life. During the Kangxi period of the Qing dynasty, a large number of porcelains featuring "Fun Fishing Scenes" with exquisite workmanship and techniques appeared, and the images presented the human touch of worldly life where people enjoy the pleasure of fishing and buying wine. This paper intends to analyze the classification of the image of the "Fun Fishing Scenes" on porcelain in the Kangxi period of the Qing dynasty and its imitation and improvement of its printmaking counterpart through comparing the image of the "Fun Fishing Scenes" in painting and printmaking, to discuss the relationship between the design of image and the change of shape, and to repeat the achievement of image design of the " Fun Fishing Scenes " in Kangxi porcelain.