宋元时期陶瓷的实用性和美感——以梅瓶与玉壶春瓶为例

The Practicality and Aesthetics of Ceramics in the Song and Yuan Dynasties: A Case Study of Plum Vase and Yuhuchun Vase

本文以图像学以及二重证据法为基础,从宋代的儒家思想以及商业文化开始,将图像、文物以及历史文献进行对比分析,从而对宋元时期的陶瓷器物梅瓶以及玉壶春瓶进行实用性与美感的研究。华夏民族自古以来对资源的极尽惜珍,以及物尽其用的惜物观念对当时的造物产生较大影响,最终产生了梅瓶以及玉壶春瓶。就其包装然后实用酒器,最后到审美与功能性的和谐统一。

Based on iconography and double evidence method, starting with Confucianism and commercial culture in the Song Dynasty, this paper makes a comparative analysis of images, cultural relics and historical documents, thus making a practical and aesthetic study of plum bottles and spring bottles of jade pots in the Song and Yuan Dynasties. Since ancient times, the Chinese nation has cherished resources to the utmost, and the concept of using everything to its fullest has a greater impact on the creation at that time, eventually produced plum bottles and jade pots spring bottles. On its packaging and then practical wine, and finally to the aesthetic and functional harmony and unity.