中国古代画史中“燕家景致”的知识生成

Knowledge Generation of “Yanjia jingzhi”(Shanshui by the Yan’s) in Ancient Chinese Painting History

画史上的"燕家景致"最早是被记录在刘道醇的《圣朝名画评》中,指的是"燕文贵"的山水画作。而历代画史中除了有关于"燕文贵"山水画的记载外,还有对"燕贵""燕文季"山水画的描述。那么这三者之间的关系如何,"燕家景致"与"燕家景"关系怎样,"燕家景致"的师承问题、具体作品的记载情况,以及品评的流变等方面都存在着历代书写与记录的差异。该文将从这个角度出发,浅析"燕家景致"的知识生成问题,试图阐释"燕家景致"的形象是如何在画史中逐渐形成与完善的。

The"Yanjia jingzhi"in the history of painting was first recorded in Liu Daochun’s Commentary on Shengchao Minghua Lu(Famous Paintings in the Present Dynasty),referring to the Shanshui paintings by"Yan Wengui".In the painting history in the past dynasties,besides the records of Shanshui paintings by Yan Wengui,there were also descriptions of those by Yan Gui and Yan Wenji.Then what was the relationship among the three,the relationship between"Yanjia jingzhi"(Shanshui by the Yan’s)and"Yanjia jing"(Scenery by the Yan’s),the inheritance of"Yanjia jingzhi"and the recording of specific works,as well as the changes of evaluation,all of which were different on the writing and recordings in the past dynasties.From this point of view,this paper will analyze the knowledge generation of"Yanjia jingzhi",and try to explain how the image of"Yanjia jingzhi"gradually formed and improved in the history of painting.