摘要
中国戏曲绘画的创作热潮曾一度兴起于20世纪上半叶,至今方兴未艾。这些现代作品呈现出强烈的表现性面貌,并显示出艺术多样性特质。这种绘画迹象,体现了大时代变革中的中国现代艺术家对传统艺术进行现代化转换,并进行创造性提升的思考与探讨。
The composition fervor of Chinese opera paintings started in the first half of 20th century and has kept burgeoning up to now. These modern works have embodied not only powerful expressiveness from their appearances, but also the features of artistic diversity. In fact, the sign of paintings shows the modern transformation of traditional arts as well as reflections and discussions towards the creative promotion contributed by modern Chinese artists in this great age of change.
作者
李青
LI Qing(School of Fine Arts, Hangzhou Normal University, Hangzhou 310002, China)
出处
《美育学刊》
2019年第5期110-120,共11页
Journal of Aesthetic Education
基金
浙江省文化厅文化科研项目“浙江传统戏曲《白蛇传》的戏画现代性研究——以林风眠为例”(ZW201736)的研究成果
关键词
戏曲绘画
创造性转换
中西融合
表现性
多样性
Chinese opera paintings
innovative transformation
integration between China and the West
expressiveness
diversity
