摘要
探究千利休侘寂美学对现代小间茶室在设计方面的启示。从日本茶道宗师千利休入手,以其小间茶室代表作“待庵茶室”为例,通过对土壁和躏口两个基本构造进行分析,探究千利休侘寂美学在待庵茶室中的运用。并对后世小间茶室从形式和精神两个方面传承千利休侘寂美学进行举例说明,进一步论证千利休在茶室建造方面的独到审美和前卫思想,对后世小间茶室设计产生的深远影响。通过对千利休及其传承者的小间茶室进行案例分析,可以得出千利休将侘寂美学融入茶室的设计,是茶室形式不断革新的关键因素。这种革新体现在饮茶方式的改变,茶室面积的浓缩,装饰物的简化,色彩的凝练以及空间布局的优化,为现代小间茶室设计提供了重要的借鉴意义。
This paper explores the enlightenment of Sen Rikyu’s Wabi-sabi Aesthetics on the design of modern mini-tearoom.Starting from the Japanese tea master Sen Rikyu,his representative tearoom---Tai-an Tearoom ia taken as an example.By analyzing the two basic structures,soil wall and Sakaguchi,how the Aesthetics of Wabi-sabi is applied to the tearoom is explored.It also illustrates the inheritance of Sen Rikyu's Wabi-sabi Aesthetics from the two aspects of form and spirit,and further demonstrates the unique aesthetics and avant-garde ideas of Sen Rikyu's teahouse design,having a profound impact on the design of tearooms in later generations.As a result,it can be concluded that Sen Rikyu’s integration of Wabi-sabi Aesthetics into the tearoom is a key factor in the continuous innovation of the tearoom form after analyzing the mini-tearoom of Sen Rikyu and his inheritors.This innovation is reflected in the tea drinking method,the tearoom area,the interior style,the color collocation,and the space layout,it provides important reference for modern mini-tearoom design.
作者
张丹翔
陈映芬
余香怡
郭琼
Zhang Danxiang;Chen Yingfen;Yu Xiangyi;Guo Qiong
出处
《家具与室内装饰》
2019年第8期124-126,共3页
Furniture & Interior Design
基金
广东省哲学社会科学“十三五”规划2017年度学科共建项目(GD17XYS02)