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中国传统诗学中“《诗》源观”的发展定型

The Development and Setting of Taking Book of Songs as the Origin of Traditional Chinese Poetics
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摘要 “《诗》源观”在汉代建立,与汉代《诗》学和文化特征相一致。随着诗学从魏晋走向自觉,“《诗》源观”亦在南朝齐梁时走向定型,有两个方面的表现:一是更多的文体被纳入《诗》源中,二是《诗》源内涵多与文学自身的本质属性相关。后世在这个问题上继承很多,发展余地少。“《诗》源观”之所以能在齐梁走向定型,最主要的原因是诗学自觉意识的高度发展。 The concept of taking Book of Songs as the origin of traditional Chinese poetics was established in the Han dynasty, which is identical with the research on Book of Songs and its cultural characteristics. Since the rousing of poetics in Wei-Jin period, the concept of Book of Songs as Chinese poetic origin was gradually settled in the Qi dynasty and the Liang dynasty. It can be proved in the following two aspects. First, it contains many more writing styles;secondly, the connotations of the concept are mostly related with the nature of literature. Researchers then explored many aspects of the concept without many breaking developments. The settlement of the concept in the Qi dynasty and the Liang dynasty mainly depended on the highly growing awareness of poetics.
作者 曾毅 ZENG Yi(College of Arts, Chongqing Three Gorges University, Chongqing 404000, China)
出处 《重庆三峡学院学报》 2019年第5期80-85,共6页 Journal of Chongqing Three Gorges University
基金 教育部人文社会科学研究规划基金项目“中国古典诗学中的‘《诗》源观’研究”(14YJA751032)
关键词 “《诗》源观” 定型 文体范围 《诗》源内涵 Book of Songs as Chinese poetic origin The inscriptions of Buddhist The literature value
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