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论《印度十日》中进步的印度形象

On the Image of Progressive India in Ten Days of India
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摘要 曹景行的《印度十日》记录了作者在印度的亲身体验与随想,他笔下的印度除了旧有的形象内涵外,还增加了新时代进步的印度形象,有利于读者打破脏乱差的印度刻板印象,呈现出洁净、多元、迅速发展的印度形象。借鉴比较文学形象学的相关理论分析游记中作者描述的复杂而又多彩的印度形象,并反观作者所具有的中国文化立场及与印度"他者"的互动中产生的自我认知变化。 Cao Jingxing’s Ten Days in India recorded the author’s personal experience and random thoughts in India. In addition to the old image connotation,he also added the image of India in the new era,which helps readers to break the dirty and bad Indian stereotype and present a clean,diversified and rapidly developing image of India. Using the relevant theories of comparative literature imagology to analyze the complex and colorful Indian images described by the author in travel notes,and to reflect on the author’s Chinese cultural standpoint and the change of self-cognition in his interaction with "the other" in India.
作者 齐园 解绘锦 Qi Yuan;Xie Hujin(Hainan Medical University Press,Hainan Haikou 571199,China;College of arts,Hebei Normal University,Hebei Shijiazhuang 050024,China)
出处 《河北经贸大学学报(综合版)》 2019年第3期16-19,共4页 Journal of Hebei University of Economics and Business(Comprehensive Edition)
关键词 印度十日 游记 印度形象 比较文学形象学 India ten days travel notes the image of India comparative literature imagology
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