梆鼓咚音乐特点与传承谱系探究

Research on the Musical Characteristics and Inheritance Pedigree of Banggudong

站在局内人(梆鼓咚第五代传承人)的立场,围绕《中国曲艺音乐集成》所记载的梆鼓咚传承谱系,探寻其"百人百唱"的文化根源以及音乐本体上的变化轨迹。从音乐形态来看,以中国东南部和南部地区常用的腔音列"sol mi re"为核心,融合了中国西北部和北部地区常用的音列,所形成的梆鼓咚腔音列特点,间接反映了北方渔鼓音乐流传到南方后在地化的过程。表面上"百人百唱"是音乐本体变化轨迹的体现,实质上它是不同人在不同时空与当下社会语境互动的产物,是人间百态的缩影。

As an insider( the fifth-generation inheritor of Banggudong),the author of this paper endeavors to explore the cultural origin of the diverse ways of singing of Banggudong and its course of change as a music entity based on the inheritance pedigree of it written in Chinese Folk Songs Collection. In terms of music morphology,Banggudong takes as its core the " sol mi re" chamber sound sequence that has been commonly used in southeastern and southern China and integrates it with the sound sequences commonly used in Northwest and Northern China. This characteristic of Banggudong indirectly reflects the process in which the northern fishing drum music spread to the South and rooted there. On the surface,the diverse ways of singing reflects the evolution of the music. In fact,however,it is the product of the interaction between different people in different time and space and the contemporary social contexts,and it is the epitome of the complexity of human societies.