汉魏六朝咏物诗的律化及其创作观

The Views of Creation Formed in the Process of Rhythm of Object-chanting Poetry in Han,Wei and Six Dynasties

梳理汉魏六朝咏物诗的声律演变状况是掌握中国古代诗歌及其理论发展的重要部分。而相较于语言的视觉形式美而言,从听觉方面考察汉魏六朝咏物诗艺术之美的研究则较为缺乏。以咏物诗在声律技巧、理论、实践等方面的表现,可以考索汉末至梁陈诗人对咏物诗声律由经验性的运用到主动探究理论并大量实践的思想演变过程。此过程也为唐代成熟咏物之作的声文之美奠定了基础。

It is an important part of mastering the development of ancient Chinese poetry and its theory to sort out the evolution of rhythm of object-chanting poetry in Han, Wei and Six Dynasties. Compared with the beauty of visual form of language, the study of the beauty of object-chanting poetry in the Han, Wei and Six Dynasties from the perspective of audition is relatively scarce. From the expression of rhythmic techniques, theories and practices in object-chanting poetry, this paper discusses the ideological evolution of poets’ object-chanting poetry from the end of Han Dynasty to Liang and Chen Dynasty from experiential application to active exploration of theory and practice. This process also laid the foundation for the beauty of voice and prose in the mature works of chanting things in Tang Dynasty.