论滩头木版年画色彩的地域性特色

On the Regional Features of the Colour of Tantou New Year Woodcuts

滩头木版年画的色彩技法发扬了《考工记》的色属思想,五色为母体色,以"五色"为主轴突出传统色的稳定性,设色成式遵循五行与五色原理,使用滩头镇自制的"五色"纸,半刻半绘、印绘结合,融合梅山楚南传统文化的原始生命力和民俗精神,艳丽夸张,体现朴实色彩精神,原始色为主,类型化配色,色彩对比强烈,辛辣的色彩对比、夸张的色彩装饰营造欢乐祥和、祈福美好的气氛和追求返璞归真的愿望。体现了民间色彩的本能性、象征性与民俗性,发扬了本土民间艺术元素,民间色彩"味道"十足,创造了新的造型理念,形成了滩头木版年画浓郁的楚南地方色彩特色。

The colour techniques of Tantou new year woodcuts carry forward the ideas of colour in Kaogongji.The five colours of blue,yellow,red,white and black are employed as the maternal colour in Tantou new year woodcuts to highlight the stability of traditional colour.The colouring patterns follow the principle of"five elements"and"five colours".Tantou new year woodcuts are made on"five-colour"paper,which is homemade in Tantou town,by carving,painting and printing.It is an integration of the traditional culture and folk spirit in Chunan area,gorgeous,exaggerated but simple.A sharp contrast is in the colour of Tantou new year woodcuts with the traditional colours as the major colour and categorized colour blending.The exaggerated color decoration creates a merry,peaceful,and blessing atmosphere and the wish to recover the original simplicity.It embodies the qualities of instinct,symbolism and folklore of folk colors,develops the local folk art elements,gives full play to folk colors,creates a new modeling concept and forms the strong characteristics of local color in Chunan area.