摘要
自上世纪以来,随着一系列“终结论”著作的出版,关于“艺术终结”的话题成了一个众说纷纭、挥之不去的问题,从而使得审美哲学处于有名无实的尴尬之地。其症结在于由于混淆了“本体论”与“本质主义”之间的根本区别,让人们普遍持有一种“形而上学恐惧症”。事实说明,面对“终结之后”的反艺术的艺术批评,仍然需要审美哲学。重构的路径就在于有效地把握重视“事物本身”的“后形而上学”。
Since the last century,with the publication of a series of works on the"Theory of the End",the topic of"the end of art"has become a hot issue of the public,which puts aesthetic philosophy in an embarrassing position.The trouble lies in the confusion between"ontology"and"essentialism"in terms of their essential differences,which leaves people a sense of"metaphysical phobia".Facts show that aesthetic philosophy is still needed in the face of anti-art criticism of"after the end".The way to reconstruct is to effectively grasp the"post-metaphysics"which attaches importance to"things themselves".
作者
徐岱
XU Dai(College of Media and International Culture,Zhejiang University,Hangzhou 310027,China)
出处
《杭州师范大学学报(社会科学版)》
CSSCI
2019年第5期80-92,共13页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
关键词
理论的终结
审美哲学
艺术问题
The end of theory
aesthetic philosophy
issue of art