新世纪革命历史题材影视剧“在地性”征候考辨

Dialectical Examination of Localization of Revolutionary Historical Films and Television Dramas in New Century

新世纪影视剧以化历史的影像呈现方式不断关注着革命"在地性"的审美在场,试图以吐纳百川的开放性姿态接纳着阐释"革命"的多元文化预设。它们以"后革命"氛围中的革命再叙述,昭示着在民族复兴的时代主潮背景下,借助历史化的审美建构进行修复红色记忆、承载地缘文化、寻求国族认同、凸显现实观照的诸多可能性,考辨其建构"在地性"的影像景观、叙述格调与主题旨归,对于廓清革命再叙述的审美误区,寻绎红色基因因袭相传的空间路径,整合新时代的国族认同观念,具有重要的认知价值和意义。

The films and television dramas in the new century attaches great importance to the aesthetic presence of the revolutionary localization through historical image presentation,trying to advocate a multicultural presupposition of explaining the revolution with an open mind.Under the background of main tide of the national rejuvenation,reiteration of the revolution in the atmosphere of"post-revolution",it is of great cognitive value and significance to repair red memory,to carry the geographical culture,to seek the identity of the national family,and to highlight realistic concern for opening new space of red gene inheritance,and integrating national identity in the new era.