摘要
胡适为《申报》成立五十周年写成的《五十年来中国之文学》,以历史参与者和叙述者的双重身份言说,实则借立言形式建构"白话正宗观"和"文学进化史观"的文化诉求。十几年后又应赵家璧之邀编纂《中国新文学大系》建设理论集,在大系导言中追述了新文化肇始的源起发展,胡适又有意淡化了陈独秀一代人共同努力营造的社会文化氛围,从两者的发展中可以窥见胡适的文学观念变化中文化诉求的得与失。
Hu Shi wrote the Fifty Years of Chinese Literature for the 50 th anniversary of the ShenBao Newspaper.It is based on the dual identity of historical participants and narrators.In fact,it constructs the cultural appeal of the"Vernacular Orthodox View"and"Literature Evolutionary Viewpoint".Ten years later,at the invitation of Zhao Jia-bi,he compiled the theoretical collection of"the Chinese New Literature Series".In the introduction part,he traced the origin of the new culture.Hu Shi also intentionally weakened Chen Du-xiu and his generation’s cultural atmosphere.From this we can glimpse the gains and losses of cultural appeals in Hu Shi’s literary concept changing.
作者
丁雨晨
DING Yu-chen(College of Chinese Language and Literature,Henan University,Kaifeng 475000,China)
出处
《红河学院学报》
2019年第5期63-66,共4页
Journal of Honghe University
关键词
胡适
《五十年来中国之文学》
《中国新文学大系导言》
文化诉求
得失
Hu Shi
The Literature of China in the Past 50 Years
Introduction to the Chinese New Literature Series
Cultural appeals
Gains and losses