《聊斋志异·王六郎》之诗化书写:与本事渊源之比较

The Poetic Writing of “The Sixth Brother Wang”:A Comparison with the source from the Di Ji Lu

本文拟分析《聊斋志异·王六郎》与相关本事《迪吉录·松陵溪鬼忍淹泉下而不忍索代帝敕为神》间之叙事异同与情感取向,藉由观察彼此情节增删与书写目的之差异,探讨其间之可能意义。蒲松龄于《王六郎》着墨于许姓渔夫与王六郎之间的人鬼情谊,强调人与自然、人我之间的对待与感悟,实展现了相当的诗性与想象,使《王六郎》故事不限于既有本事之劝善格局,而另有清逸空灵与世俗温暖之融通,以期具体化《聊斋志异》之书写意识与艺术内涵。

This article intends to analyze the poetic writing of“The Sixth Brot-her Wang”(王六郎),from the Strange Tales from a Lonely Studio,by comparing with the source,a story in Di Ji Lu(迪吉錄).The focus of the research includes the differences about the plot additions and deletions,the narrative strategies,and writing purposes,and to highlight Pu Songling's poetic spirit and human concern.