《聊斋志异·胭脂》用典探析

An Analysis of the allusions cited by different rouge in Yanzhi of the Liaozhai novels

文言短篇小说集《聊斋志异》中有许多作品涉及用典,《胭脂》一篇,用典尤多,其中语典数量远多于事典,体现了《文心雕龙》“才为盟主,学为辅佐”的用典之道。《胭脂》用典来源遍及经、史、子、集四部,用典方式灵活多样,既有明引与暗用之分,也有单引和叠用之别。《胭脂》用典的艺术特色主要表现在深切委婉的意蕴、华丽富赡的辞采和流畅而又凝练的文气等几个方面。缘事而发,炫示才学和孤愤心理则是蒲松龄在《胭脂》中大量用典的内在动因。

There are many works in the collection of Classical Chinese short stories“Strange stories of Liaozhai”involving the use of allusions.In the work Yanzhi,this situation is particularly prominent,in which the number of“YuDian”is much more than that of“ShiDian”,which reflects the way of using the book“to be the leader of the alliance and to learn as the auxiliary”in Wen Xin Diao long.The sources of allusion citation in yanzhi are all over Jing,Shi,Zi,Ji,and their citation methods are flexible and diverse,which can be divided into explicit citation and covert use,as well as the difference between single citation and overlapping.Its artistic characteristics are mainly manifested in the deep euphemism,gorgeous and rich rhetoric and smooth and concise style and so on.When it comes to events,showing off talent and loneliness and indignation are the internal motivation of Pu-Songling undefineds extensive use of canon in Yanzhi.