海明威的《丧钟为谁而鸣》中的双性同体意识

The Androgynous Consciousness of Hemingway’s For Whom the Bell Tolls.

“双性同体”是女性主义批评的一个重要概念,也是文学的一种新批评方式。20世纪80~90年代,美国学者提出了海明威作品中的男子女性化问题,并取得了重大突破。海明威的《丧钟为谁而鸣》的男女主人公因看清了父权社会虚伪的本质而开始从传统的男女形象标准越轨,逐步形成双性同体意识。

Androgyny is an important concept of feminist criticism and a new way of criticism in literature. In the 1980s and 1990s, American scholars raised the issue of male feminization in Hemingway's works and made great breakthroughs. Because the hero and heroine of Hemingway's For Whom the Bell Tolls have seen clearly the hypocritical nature of the patriarchal society, they begin to deviate from the traditional male and female image standards and gradually form the consciousness of androgyny.