论红白蓝三色在吴宇森暴力美学中的运用

On the Application of Red, White and Blue in John Woo's Violence Aesthetics

吴宇森导演的电影创造了吴式暴力美学。他在影片中惯于运用红白蓝三色,在对红色的运用中,他注重对时间和动势的把握,多用慢镜头和特写镜头表现红色的暴力场面,白色通过教堂、白鸽、圣母像等意象的化用成为将暴力包装的富有浪漫和诗意的手段,蓝色以其特有的情感特性成为塑造凄凉、睿智的英雄形象的色彩之一。红白蓝三色在影片中的运用反映了吴宇森导演独树一帜的暴力美学特征以及其风格背后的深层文化逻辑。

Director JohnWoo has shot a series of heroic films with his unique images, creating woo's violence aesthetics. He wont use red, white and blue in the film, in the use of red, he pay attention to the time and the assurance of electromotive force, multi-purpose slow motion and close-up performance of violence, red white images by church, dove, Madonna paraphrase become violence means of packed full of romance and poetry, blue with its peculiar emotion features become desolate, intelligent hero image from one color. The use of red, white and blue in the film reflects John woo's unique violence aesthetic characteristics and the deep cultural logic behind his style.