《终南十志》异名源流考辨兼及文学史意义探析

On the Origins and Causes about the Formation of Different Names of The Ten Records on Zhongnan Mountains and Its Significance of Literary History

唐代大隐卢鸿以“十志”横绝于后世书、画、诗文、笔记、方志、园林等诸多文艺领域,然此作却在后世流播过程中出现了多种题名,寻求于现存书画文物与文献等纷繁的文献,从内证、侧证、旁证等角度抽丝剥茧可知,由于其画作诗、书、画三位一体的表现方式,加之其原本无统一命名、十幅作品分体命名,遂使诗集、笔记、方志等文献从中摘录作品时,以各自的理解给其统一冠名,从而造成其诸多异名的现象。这一现象恰又反证了卢鸿作品在后世的影响之深。

As a famous hermit in Tang Dynasty, Lu Hong (or Lu Hongyi) enjoyed the fame to later generations by his famous works The Ten Records on Zhongnan Mountains in poetry, notes, calligraphy, paintings, local chronicles, garden and many other fields. But this works appeared several different names later. While seeking to literature, historical materials, painting and calligraphy and literature, from internal evidence, its exterior syndrome, circumstantial evidence angle and initial formation, the origins and causes became gradually clear. It originated from the three-in-one forms with his painting, poem and calligraphy, together with the nameless name being the work. In this process of pursuit origin we marveled at the deep influence of Lu Hong and his works in the later. Therefore, its position and value in the history of literature also needs to be further studied.