论第六代导演电影作品中青年文化的表征艺术人生

Discussion on characterization of youth culture in the sixth generation film directors’ movie works

20世纪九十年代,中国改革开放初期,西方的艺术表现思想传入中国并影响了中国的电影领域。在此背景下,作为青年文化代表的青年导演,进入高校接受了电影知识的学习,并接触到很多国外电影理论。有人说五代之后,再无派系,作为最具有争议的第六代导演,在学术界一直没有较为权威定论。本文试从第六代导演影视作品的表现手法、艺术特征和艺术追求,来梳理他们的共性,以期为第六代导演的定义做一些参考。

In the early period of China’s reform and opening-up in the 1990 s, the introduction of western artistic expression and ideas had an impact on the movie fild in China. As representatives of youth culture, on this background, they received education on movie fild and learned many foreign movie theories after entered college. Some people say there are no other factions after the fifth generation film directors. As the most controversial sixth generation film directors, there has been no authoritative conclusion in academia.The thesis attempts to sort out universality from technique of expression, artistic characteristics and pursuit of sixth generation film directors’ film and television works so as to make a reference for the definition of the sixth generation directors.