摘要
"家国叙事"是中国电影的民族叙事传统,承袭中国文化中"家国一体化"的理念,在不同时代中呈现出迥异的风貌。中国电影诞生初期,形成民族寓言下的"家国同构"理念。中华人民共和国成立后,"家国叙事"发展为政治图景下"国显家隐"的范式。在改革开放解放思想浪潮中,家国题材电影形成历史反思与诗意的人性化"家显国隐"书写模式。在新世纪互联网语境以及资本市场的影响下,家国题材电影生发出新形式,并不断更新其美学风格与具象叙事手段,激发出当代电影新的活力。
National narration is the national narrative tradition of Chinese films. It inherits the concept of "integration of family and state" in Chinese culture, and presents different styles in the era of continuous extension. The concept of "family and state isomorphism" under the national fables was formed in the early days of the film′s birth;The paradigm of "visible state, invisible family" under the political picture was developed after the founding of New China;the historical reflection and the poetic and personified "visible family, invisible state" writing mode of the films with family and state subject were created in the wave of emancipating the mind after the reform and opening up. Under the influence of the internet context, popular culture and capital market factors in the new century, the family and state films are generating new forms, increasingly updating their aesthetic style and specific narration means, and inspiring new vitality in contemporary movies.
出处
《中州学刊》
CSSCI
北大核心
2019年第9期154-161,共8页
Academic Journal of Zhongzhou
关键词
文化迁衍
家国叙事
民族寓言
政治图景
叙事新变
cultural extension
family and state narrative
national fable
political picture
narrative new changes