陈洪绶的绘画风格与晚明装饰艺术

Chen Hongshou’s Painting Style and the Decorative Art of Late Ming Period

陈洪绶“奇古”的绘画风格,受到晚明新兴的物质文化的深刻影响。但由于学术史的复杂原因,陈洪绶的绘画艺术与作为物质实体的装饰艺术的关系,一直未能得到足够的关注和充分的讨论。这一关键议题的缺席,致使陈洪绶绘画风格的形成动因和历史意涵,难以得到完整而有效的阐明。本文运用风格分析的方法,探讨陈洪绶的绘画风格对晚明装饰艺术的借鉴,指出此种借鉴的性质,是将装饰艺术的思维、方法乃至玩赏经验引入绘画。受益于装饰艺术视角的引入,关于陈洪绶艺术的诸多事实和论说,得以在此研究框架下得到一种相互联通而合乎逻辑的解释。

Chen Hongshou’s Qi-gu painting style was deeply influenced by the emerging material culture of the late Ming period. However, due to the complicated reasons of academic history, the relationship between Chen Hongshou’s painting art and decorative arts that used in the real world has not received adequate attention and discussion that it deserved, and the absence of this key issue has made it difficult to explain motives and historical implications of Chen Hongshou’s painting style fully and effectively.The author re-proposes this topic and uses the method of stylistic analysis to explore the reference of Chen Hongshou’s painting style to the decorative art of the late Ming dynasty, and points out that the nature of such reference is to introduce the thinking, methods and even the experience of appreciation that embodied in decorative arts to the painting. Benefiting from the perspective of the decorative art, many facts and arguments about Chen Hongshou’s art can be mutually interconnected and logically interpreted in this research framework.