摘要
从20世纪50年代至今,民俗文化一直是西藏当代汉语长篇小说描写的对象之一,经历了试验性描写、全景式深描和集约化展示三个发展阶段,完成了从猎奇到欣赏的审美观念的转变,折射出西藏民俗的发展变迁,呈现出纪实性、变迁性的特点,表现出构建中华民族共同体意识的趋势。
From the 1950 s to now,folk culture has been one of the objects described in the Tibetan contemporary novels written in Chinese.It has gone through three development stages:experimental description,panoramic thick description and diversified display.It has completed the transformation of aesthetic concept from novelty hunting to appreciation,reflected the development and change of the Tibetan folk custom,presented the characteristics of documentary and change,and showed the trend of building the consciousness of the Chinese national community.
作者
马小燕
MA Xiao-yan(School of Chinese Language and Literature,Xizang Minzu University,Xianyang,Shanxi 712082)
基金
2018年度国家民委委托课题“中尼边境乡村振兴的路径研究”阶段性成果,项目号:2018-GMF-021
关键词
西藏当代汉语长篇小说
民俗
深描
变迁
Tibetan contemporary novels written in Chinese
folk custom
thick description
change
