人类学田野深描的现代化呈现——以影视人类学片《端午节》为例

The Presentation of Thick Description of the Anthropological Fieldwork in a Modern Way——Taking the Anthropological film Dragon Boat Festival as an example

随着科学技术的发展,仅仅以民族志书写的方式去呈现人类学田野的结果已经不能满足现代受众的需求。此时,新兴的影视人类学满足了将现代技术和传统文化书写结合的要求,成为近年来人类学学科之下较为热门的子学科。文章试图从影视人类学家庄孔韶的《端午节》入手,探讨影视人类学家应该如何从视觉画面和听觉语言入手,尽可能达到文化的深描。

With the development of science and technology, only presenting the results of anthropological fieldwork in the way of ethnographic writing can no longer meet the needs of modern audiences. At present, the emerging film and television anthropology meets the requirements of combining modern technology and traditional culture writing and has became a popular sub-discipline of Anthropology in recent years. This paper tries to start with the Dragon Boat Festival of Zhuang Kongshao, a film and television anthropologist’ anthropological film, and finds how film and television anthropologists use visual images and auditory language to achieve a thick description of culture.