论《文心雕龙》“风骨论”在唐诗中的接受

A Study of the Acceptance of the Theory of Wind and Bone in Wen Xin Diao Long in Tang Poetry

《文心雕龙》是魏晋时期一部重要的文学理论著作.因其采用骈文说理,故一些篇目不易理解,《风骨》就是其中争议较多的一篇.首先是“风骨”一词含义的理解问题.文章认为,“风骨”应是一种较为高级的美学追求,同时,不能被归入“文体风格论”中,即不能说“风骨”是文章“风格”的一种.“风骨”的概念内涵从魏晋到唐代也发生了细微的变化.魏晋时期,“风骨”是最高的美学追求,不一定非要“壮美”,婉约的文章也可以是有“风骨”的.而到了唐代,“风骨”则专指刚健爽朗的诗风,且大致与“壮美”相等.基于中国古代文体演变过程纷繁复杂,尤其是唐诗中的“风骨”传承在各种文体中又十分典型,故以之为例加以说明“风骨论”在唐诗中的接受情况.

Wen Xin Diao Long is an important literary theory work in the Wei and Jin Dynasties.Because of its parallel reasoning,some articles are not easy to understand,"Fenggu"is one of the most controversial.The first is the understanding of the meaning of the word Fenggu.This paper holds that"Feng Gu"should be a relatively advanced aesthetic pursuit,and at the same time,it can not be classified into"stylistic style theory",that is,it can not be said that"Feng Gu"is a kind of"style"of the article.The conceptual connotation of Feng Gu also changed slightly from Wei Jin to Tang Dynasty.In the Wei and Jin Dynasties,"Feng Gu"was the highest aesthetic pursuit,not necessarily to"magnificent",graceful articles can also have"Feng Gu".In the Tang Dynasty,Feng Gu refers specifically to the vigorous and bright style of poetry,which is roughly equal to"magnificence".Based on the complicated evolution process of ancient Chinese style,especially the inheritance of"Feng Gu"in Tang poetry is very typical in various styles,this paper takes it as an example to illustrate the accaptance of Tang poems.