副文本视野下《米拉日巴道歌》英译研究——以张澄基译本为例

A Study on Milarepa Songs under the Perspective of Paratexts Theory: Taking Garma C. C. Chang’s Version as an Example

藏族文学典籍《米拉日巴道歌》的张澄基译本中存在多种内副文本,封面、封底、扉页、排版、译者署名等饱含浓厚的藏族文化特色;前言和译者序阐述了翻译背景、翻译过程、译者信息等关键内容;丰富的注释、附录等信息对读者更好地阅读和理解译本有极大的帮助。在外副文本中,译者的多重身份和翻译活动确保了高质量的译本,译者其他作品中对该译本也极力推介。内副文本和外副文本共同作用,起到了吸引读者、帮助读者深入了解背景信息、理解译本内容、推介宣传的积极作用,对藏族文学典籍"走出去"具有一定的借鉴和参考价值。

There are different kinds of peritexts in Garma C. C. Chang's version of Milarepa songs. The front cover,back cover,layout and translator's signature have an intense Tibetan cultural characteristic. The foreword and translator's preface show the key content of translating background,translating process and translator's information. Plenty of notes and appendix help readers to understand the book. In terms of epitexts,translator's language capacity and translating experience assure the high-quality work. There is some of promoting information in translator 's other works. Peritexts and epitexts cooperate in attracting readers,assisting readers to understand the book,introducing and promoting the book,which can shed a new light on the translating of Tibetan classics.