反英雄与解构——后现代语境下的《拉孔布·吕西安》

Anti-hero and Deconstruction——Lacombe Lucien in the Post-modern Context

《拉孔布·吕西安》是一部反映法国二战占领时期的电影,它通过反英雄叙事,解构宏大叙事和消解二元对立的手法,表现了特殊时代背景中人的盲目性和矛盾性以及历史和政治背景本身的复杂性和模糊性。该电影不表明政治立场,也不做道德评判,既体现了后现代语境中对“不确定性”和“内在性”的追求,又表现了莫迪亚诺和马勒对人性的思考和关怀。

Lacombe Lucien is a film reflecting the occupation period of the second world war in France. By means of anti-hero narration, deconstruction of grand narration and resolution of binary opposition, it shows the blindness and contradiction of human nature under the background of the special time as well as the complexity and ambiguity of historical and political background itself. The film neither shows political positions nor makes moral judgments. It not only reflects the pursuit of “uncertainty” and “internality” in the post-modern context, but also shows the thoughts and concerns of human nature by Modiano and Malle.