期待视野下“器以载道”工艺观的衍生及结构范式研究

Derivation and Structural Paradigm Study of the Concept of "Tao is carried by Artifact"

“器”与“道”作为中国哲学发展史上的核心命题,其论述主体是一般事物与抽象理论的关系,与人们生活密切相关的工艺器物也在此之列。传统工艺作为具有物质与精神双重属性的艺术创造,用物者的审美体验是其价值体系的重要组成部分,因而对传统工艺的评判和感受,须从用物者的主观审美感受出发,在实践过程中观照和使用器物,才能将“器”所载之“道”内化主体的自觉意识,并在此基础上将“器以载道”工艺观的结构范式阐述为从“具象之器”“意象之器”最终到“意蕴之道”的递进式结构。

"Artifact"and"Tao"are the core propositions in the history of Chinese philosophy.The main part of the discussion is the relationship between general things and abstract theories.The artifacts that are closely related to people's lives are also included.Traditional craftsmanship is an artistic creation with the dual attributes of material and spiritual.The aesthetic experience of the user is an important part of its value system.Therefore,the judgment and feeling of traditional crafts should start from the subjective aesthetic feelings of the users when users use them in daily life with expectation,in order to produce the satisfaction and failure of the expectation,in order to generate new expectations,and to create further design appeals.Similarly,only when the artifact enters the life of the recipient,it is possible to inform the social ideology of the system,ethics,norms related to the object to the user,forming the user's understanding of the world and ultimately affecting the user.Thus,realize the internalization of the"Tao"contained in the"artifact".