中国当代女性电影的人格塑形与叙事策略——以《嘉年华》《找到你》《宝贝儿》为例

Personality Shaping and Narrative Strategy of Chinese Contemporary Female’s Films——Taking Angels Wear White, Lost, Found and Baby as examples

从《嘉年华》《找到你》再到《宝贝儿》,这三部女性题材电影都充满着某种潜在的呼应社会话语流变的意味。在美学表达和叙事策略上,中国当代女性电影较早期的女性电影有内在的承接和外在的开拓,但在女性困境的纾解这一议题的表述上,仍然存在某些局限性。对中国当代女性电影的梳理和分析,是立足当下中国电影的基本面,试图从中找到女性电影新的叙事策略,从而真正体认新的女性主义理论和新的现实社会图景。

From three female films Angels Wear White,Lost,Found to Baby,which are full of some potential to echo the rhetoric of social discourse.In terms of aesthetic expression and narrative strategy,Chinese contemporary female's films have internal continuity and external development in earlier female films,but there are still some limitations in the expression of relieving the female dilemmas.The understanding and analysis of Chinese contemporary female's films is based on the fundamentals of contemporary Chinese films,trying to find a new narrative strategy for women's films so as to truly recognize the new feminist theory and the new real society.