摘要
“魏晋风度”是人们对魏晋南北朝时期人文风貌的精要概括,它与魏晋时期的文学艺术互为注脚。文章立足音乐史和思想史的双视角,以传世琴曲《酒狂》《流觞》为视点,通过主题内容的分析、指法运用及音乐意象的比较、相关历史叙事与审美心境的解读等三个方面,探讨魏晋风度与文人琴乐的相互渗透与影响,以期为研究魏晋时期的思想文化、理解和演绎《酒狂》《流觞》两首琴曲,提供新的思域。
Wei-Jin Demeanor,a fundamental summary of the humanistic appearance in the Wei-Jin and the Southern and Northern dynasties,interacts with literature and art of the Wei-Jin period.Based on the double perspectives of music and ideological history,and taking the two inherited Guqin compositions called JiuKuang and LiuShang as example,the paper discusses the permeability and influence between Wei-Jin Demeanor and Guqin music by analyzing the theme and content,comparing the different use of fingering and musical imagery,and interpreting the related historical narration and aesthetic mood,with a view to providing a new horizon for the study on the ideology and culture of the Wei-Jin dynasty,and on the understanding and playing of the two above-mentioned Guqin compositions.
作者
潘斌
PAN Bin(Musicology Department,Wuhan Conservatory of Music,Wuhan,Hubei 430060)
出处
《绍兴文理学院学报》
2019年第5期49-56,共8页
Journal of Shaoxing University
基金
湖北省教育厅科学技术研究中青年人才项目“汉魏六朝音乐世家研究”(Q20172401)
